MIXING and DAWs

A ROOM
- API Legacy AXS Mixing Console
- Pro Tools HDX 2 (PT 2023) - 72 analog i/o and 96 digital i/o over Dante
- Burl B80 Mothership (fully-loaded 40 x 40 system)
- Dangerous Music Convert AD+
- Ferrofish A32 Dante (32X32 analog, MADI, Dante, ADAT converter)
- Focusrite Rednet HD32R
- (2) Focusrite Rednet 5
- Topping D90 DAC
- Mac Studio M1 Ultra 64Gb RAM
- Mac Pro 5,1 12-core 3.46Ghz, 64 Gb RAM

B ROOM
- Studer 903 Mixing Console (36 channels)
- Ferrofish A32 Dante (32X32 analog, MADI, Dante, ADAT converter)
- Mac Mini M1, DVC running latest version of Pro Tools
- TC Reverb 4000
- A Room outboard available
- tie lines to live room and Dante connectivity to all other rooms

The main control room (A Room) is built around an API Legacy AXS console. This board, commissioned by API in September 2018, is a 48 channel frame short-loaded with 40 in-line channel strips. It's an incredible sounding desk and a pleasure to work on, and we're thrilled to be one of the few studios in the northeast running a Legacy AXS.

- 40 inline channels (80 inputs)
- 40 212 mic pres
- 18 550A EQs (channels 1-16)
- 4 550B EQ (channels 17-20)
- 2 Roger Schult W2395c EQs (channels 21-22)
- 10 Tonelux EQ5P EQs (channels 23-32)
- 7 AltaModa AM20 EQs (channels 33-39)
- 1 API SV14 EQ (channel 40)
- 14 225L compressors (channels 11-12, 17-28, accessible via patchbay)
- 2 235L Gate / Expander (channels 15-16, accessible via patchbay)
- 2500 Stereo Buss Compressor (accessible via patchbay)
- moving fader, mute, and insert automation on all channels, stereo returns, and stereo groups with DAW control via HUI mode
- 6 stereo returns (can be configured as stereo subgroups)
- 12 aux sends
- 24 multitrack busses
- 4 stereo busses
- total of 96 inputs at mix
- onboard patchbay

Our B-Room features a Studer 900-Series mixing console that was originally installed at the Metropolitan Opera House as its main broadcast board.

- 36 mic / line / tape inputs (28 mono / 4 stereo) with excellent 4-band eq (2-position selectable Q on each band) and sweepable hi-pass and low-pass filters on all inputs, separate PFL and AFL ("P-Solo") for each channel
- Channels 1-24 have been modified with mic-pre direct outputs that operate independently of the channel strip. These outputs are balanced with massive Lundahl transformers that were removed from one of the original Focusrite consoles.
- M/S encoding and stereo width adjustment on stereo inputs 29-36
- 4 auxes (3 mono, 1 stereo) on all channels and groups, selectable pre / post, with sweepable hi-pass filters, PFL, and talkback on the aux masters
- 8 subgroups with pan and aux sends
- 2 stereo master paths
- 8 stereo aux monitor inputs
- inserts (unbalanced with separate send / return) on all channels, with balanced inserts on groups and masters
- 4 1X4 distribution amps
- comprehensive talkback, monitoring, and studio output features with 5 TB channels, slate, three stereo monitor outputs, PFL / AFL buss out, mono select and stereo adjustment.

Plugins and software
- Pro Tools Ultimate 2022
- iZotope RX 8 & 9 Advanced, Ozone 8
- FabFilter ProC, ProQ3, ProL, ProMB, Pro-G, Reverb, Saturn 2, Twin 2, Timeless 2, Volcano 2,
- Softube Weiss Complete, Abbey Road Brilliance Pack, Trident A Range, Tube Tech complete, Harmonics, Tape
- Arturia FX bundle
- Relab reverb collection
- Relab LX480
- Plugin Alliance Complete (Mega Bunde)
- Oeksound Soothe 2
- Audified RZ062 equalizers
- DMG Limitless
- Waves V9 (CLA-2A, CLA-76, Puigtec EQs, PuigChild Compressor, API 2500, API 550, J37, L2, Center, Q10, Q-Clone, AR Plates and Chambers, IR1, etc)
- Melodyne 5
- Altiverb 7
- Seventh Heaven Pro
- Sound Toys TDM Bundle, Little Microshift, DevilOr, Little Plate, etc.
- Sonnox Dynamics, EQ, Inflator, Transmod, Restoration, Limiter, Drum Gate
- Auto-tune 8
- Pro Audio DSP Dynamic Spectrum Mapper
- Voxengo Elephant
- Hofa DDP
- Sonoris DDP Creator